Interview with Local Minnesota Band Capital Sons on Their New EP Album Tempest

 

 

 

Local bands are the epitome of where some of the greatest rock bands alive have begun. I wanted to get a look into the minds of the creative method behind Capital Sons. I had an opportunity to interview them regarding their new four-song EP album Tempest. For those that are not familiar with an EP album, it is called an extended play record, usually referred to as an EP. It contains more tracks than a single but fewer than an album or an LP record. I honestly had never heard of an EP album until Tempest. But the short album packed a perfect little punch with songs like “Revolution Road” and “Rains Came” as a magnificent follow up to their previous album Rose Colored World. I sat down and listened to songs to get a feel for the tone album and decided to ask the guys what the drive was behind creating the album and the message for each song.

 

All Music Magazine:     1. How has the reaction to your latest Album Tempest been?

Keith Raney:  We’ve gotten very positive feedback from both fans and music industry pundits. The number of streams and video plays has been some of the best numbers we have seen for any release.

 

All Music Magazine:     2. How long did this album take to make from start to finish, recording-wise?

Mike Jueneman:  We spent maybe five days in the studios to record the four songs. I say studios because we recorded two of the songs at Signaturetone Studios in Minneapolis, and the other two at Essential Sessions Studios in Arden Hills. Since we weren’t under any kind of time constraints, we decided to try out a couple of different places/people and see if there were any noticeable differences with the final results. It was an interesting little experiment and we got to see how different people take their own unique approaches to the recording process. 

 

All Music Magazine:    3. What kind of ‘sound’, production-wise, did you have in the back of your mind, prior to entering the studio?

Rick Paukert:  We actually went into two studios: Essential Sessions and Signaturetone. Capital Sons recorded Rose Colored World at Essential Sessions, and Keith had worked with Signaturetone in the past so we knew both studios would produce a high-quality result. Overall, Capital Sons’ music style isn’t overproduced and has a very organic, analog sound. I recall talking to both producers about how I always enjoyed the ‘70s vinyl albums with that warm, dynamic sound and I think they imparted some of that into our two recent recordings. 

 

All Music Magazine:     4. What kind of input did the producer have during the process?

Rick Paukert:  Generally, both producers act as coaches, directing the process and coaxing the best out of the band, but they go about things in different ways. Brad at Essential Sessions’ style is to experiment and lay down several tracks, instruments, and ideas. He then pulls out elements until he is left with the mix he likes. Adam at Signaturetone on the other hand likes to capture as much of the track as possible live in one take. He’ll then go back and do additional tracks that were needed to complete the sound he’s after. He’s very efficient and doesn’t record much that he doesn’t use. 

 

All Music Magazine:    5. Are you pleased with the final outcome? (sound – production wise)

Rick Paukert:  Yes, very pleased with the outcome from both studios. Both producers are true professionals their studios are top-notch. Tempest and Rose Colored World are the two best-sounding Sons’ recordings. They aren’t as compressed as our earlier EPs. Of course, some of that is due to the evolving styles and tastes as well as recording and playback capabilities. Today’s HD streams are way less compressed and have more dynamic range than they used to. 

 

All Music Magazine:    6. What are your favorite songs and lyrical highlights and why?

Rick Paukert:  Good question. One thing I like about Capital Sons is how we explore substantive subjects from unique points of view. On the most recent ‘Tempest’ EP, the humor Karl put into ‘Moderation’ always cracks me up. That song is really tongue in cheek and I like the ironic situations the song explores. “…Now I just look forward to my dinner.” A funny line about a serious subject. And there’s nothing moderate about the number of notes I crammed into the verse rhythm part.

‘Crushed’ is an interesting twist on the romance song. It’s a love song and a breakup song all in one because you have a couple that is in two very different headspaces about their relationship. You really need to listen to the story. I also love all the different parts to the song and how it is so pop-sounding despite the melancholy story. I can’t wait to release the video for this one.

I have to go back and mention a couple of lyrics from Rose Colored World since they would top my overall favorites list. If you work an office job you gotta love the line, “Not another damn meeting the rest of my life.” However, I’m going to have to tell Karl my silver sports car is my ‘rescue.’ We have a lyric video for this song, and it involves a driver Rescuing These Days.

And my number one favorite Capital Sons lyric is, “Rainbows, unicorns, and Jedi masters.” But I’m not going to tell you which song – You’ve got to go listen and find it to figure out how we worked that clever gem into a song.

 

 

 

All Music Magazine:    7.  Any overall theme of mood that you’re trying to capture while writing songs?

Karl Obermeyer:  I try not to force any moods or themes while writing. I generally start with a riff I like and then write and form the lyrics based on whatever words come out of my mouth when first singing a melody to the song. That way I capture the essence of the song in its primal form.

 

All Music Magazine:    8. Does your vision for coming up with music get affected at all by time?

Mike Jueneman:  I think the pandemic definitely had an effect on ‘Tempest’ as a whole. For starters, it wasn’t necessarily even planned at the time. But we were in lockdown, so instead of constantly rehearsing for the next upcoming gig, we found ourselves with a completely clear calendar and decided to look at it as an opportunity to write new music. Having no deadline other than those that were self-imposed allowed us the freedom to try out multiple studios and take our time with the process as a whole.

 

All Music Magazine:    9. How would you describe the sound of your new album to any potential new fan?

Mike Jueneman:  It’s basically just us. Two guitars, bass, drums, and vocals are the main components. We did invite Jesse Mueller to come in and sprinkle his keyboard magic over the songs once we had the basic tracks down. It definitely added a nice dimension that we don’t normally have life, but that was about it. We didn’t do a ton of overdubbing or a bunch of effects. We’re a classic rock and roll band playing the kind of music we grew up listening to and we hope there are others out there who miss that sound as well.

 

All Music Magazine:    10. Who are some of your influences in this album?

Karl Obermeyer:  My influences are all across the musical landscape, but recently I’ve been listening to a lot of Spoon, Kings of Leon, Houndmouth, Arcade Fire, Doves, Blur, Pulp, Band of Horses, Black Rebel Motorcycle Club, and Black Angels.

 

All Music Magazine:    11. Who directed the “Rains Came” video

Mike Jueneman:  Ryan Wideman from Paradyse Photography directed the video. He’s a great guy to work with and he’s busy putting the finishing touches on our next video as well. Fun fact about our Rains Came video, one of the main scenes shows Karl walking through the rain and singing the song. The band filmed all the studio shots in early spring, but then as luck would have it, we had a summer of historic drought. So, it took months before the stars would align to allow for rain and Karl and Ryan to be available to film. But it eventually worked out and we couldn’t be happier with the results. Ryan knocked that video out of the park.

 

 

 

All Music Magazine:    12. If someone has never seen the video, how can you describe it in one sentence?

Keith Raney: A throwback style video in the vein of early MTV videos.

 

All Music Magazine:    13. What was your influence behind writing the song “Rains Came” and the setting of the video?

Keith Raney: The song is about moving on from a failed relationship and realizing the power and freedom a person can achieve by not dwelling on the past.

As for the video, we really gave the director Ryan Wideman the freedom to imagine the story and create his vision from there. Over the years we have found it best for us to focus on the music and let the film directors do what they do best.

 

All Music Magazine:    14. How is this album different than your last album Rose Colored Word?

Karl Obermeyer:  One major difference is that ‘Tempest’ is an E.P. and ‘Rose Colored World’ was full-length. Another major difference is that we now have Keith Raney on bass and backing vocals. He’s been a wonderful addition to the group, and he wrote both the lyrics and the structure of our song ‘Rains Came’ on ‘Tempest’. That’s also a first for us.

 

All Music Magazine:    15. When do we expect another album?

Keith Raney: We have plans to get back in the studio in January of 2022 so we should definitely be releasing a new E.P. sometime next year. 

 

 

Tempest Tracks:

1.) Revolution Road

2.) Moderation

3.) Crushed

4.) Rains Came

 

 

 

 

 

 

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As a Minneapolis-based professional freelance photographer and photojournalist, I feel I have a passion for sharing new perspectives of the world. Since picking up my first DSLR camera, I have been hooked ever since. Striving to capture the rawest forms of emotion through my photos, I am determined to make the viewer feel as if they were there too. Whether I am photographing landscapes, families, children, events, or concerts, I feel I have a way of capturing the true essence of the moment and finding the extraordinary in an ordinary place. I am always looking for a creative outlet through my art, I find myself drawn to concerts as a rock music lover. You will find me right up front in the pit with everyone else. I have documented tours with some of the biggest artists in rock history including George Lynch, Judas Priest, Billy Idol, Slaughter, Vince Neil, Rick Springfield, and many more. I continue to push boundaries with my work and strive to capture some of the most iconic moments that represent the vibe of the artists and crowd as well as the atmosphere of the overall event. I am a contributor for All Music Magazine and a published photographer including features in Guitar Magazine and a feature cover photo on George Lynch's 2021 solo album. Some of my clients include Morley Pedals, Rat Pak Records, Two Notes Audio, and many more. "I capture emotions, not images."

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