On a warm September evening in Tokyo, Yes kicked off their Japan tour with a spectacular performance at Hitomi Memorial Hall. This marked their 12th visit to the country in their over half-century-long history as a band. The tour, titled “The CLASSIC TALES OF YES Tour 2024,” celebrates the band’s 55th anniversary since their debut in 1969 and features a setlist that spans their illustrious career, including highlights from their latest album, Mirror to the Sky (2023).
The current lineup consists of Steve Howe (guitars, vocals), Geoff Downes (keyboards), Billy Sherwood (bass), Jay Schellen (drums) and Jon Davison (vocals). Howe is known for his versatile guitar work that has defined Yes’s sound. Downes brings his keyboard expertise, while Sherwood adds intricate bass lines and harmonizing vocals. Davison provides a fresh yet familiar voice, and Schellen continues the powerful drumming legacy.
The evening kicked off with a powerful rendition of “Machine Messiah” from their 1980’s album Drama, immediately captivating the audience with its fantastic melodies and dynamic shifts. The first set continued with classics like “I’ve Seen All Good People” and the Japanese debut of “Going for the One,” where Howe’s masterful guitar work truly shone. The band also delivered a stunning rendition of Simon & Garfunkel’s “America,” complete with an instrumental “Southern Solo.” The set concluded with a mesmerizing performance of “Siberian Khatru,” leaving the audience thoroughly impressed.
Steve Howe, at 77 years old, continues to defy expectations with his exceptional guitar skills and dynamic stage presence. His performance was a masterclass in musicianship, blending intricate acoustic passages with electrifying solos. Howe’s ability to seamlessly switch between different guitar styles and instruments is a testament to his versatility and dedication to his craft. His leadership on stage is evident, guiding the band through complex arrangements with precision and passion. Despite his age, Howe’s energy and enthusiasm remain undiminished, often seen giving cues to his bandmates and engaging with the audience.
The second set opened with “South Side of the Sky” from 1971 masterpiece Fragile, followed by “Cut From the Stars” from their latest release Mirror to the Sky. The highlight of the night was undoubtedly the medley from Tales from Topographic Oceans, a 20-minute arrangement of the epic 80-minute album released in 1973, which mesmerized the audience and drew enthusiastic applause.
The simplicity of the stage setup, devoid of elaborate backdrops and lighting, allowed the audience to focus entirely on the music. The Japanese fans, known for their respectful and attentive demeanor, sat quietly and absorbed every note throughout the main performance, creating a unique and memorable concert experience. However, when the encore began, featuring fan favorites “Roundabout” and “Starship Trooper,” the audience rose to their feet, showing their enthusiastic appreciation and ending the night on a high note. The performance was a testament to the band’s enduring legacy and their ability to captivate both old and new fans alike.
Yes’s Tokyo concert was a masterclass in progressive rock, with each member delivering exceptional performances. Howe’s guitar work was as sharp as ever, Davison’s vocals were ethereal, and the harmonies between Davison, Sherwood, and Howe were sublime. The rhythm section, anchored by Sherwood and Schellen, paid homage to the powerful foundation laid by Chris Squire and Alan White. For those who have yet to see them live, this tour is not to be missed. The current lineup may not include the founding members, but their dedication to preserving and performing Yes’s timeless music is truly commendable. Sometimes, it’s important to step away from our phones and computers and immerse ourselves in the magic of a live concert, where the music comes alive and precious memories are made.
Band:
Steve Howe – Guitars and Vocals
Geoff Downes – Keyboards
Billy Sherwood – Bass
Jon Davison – Lead Vocals
Jay Schellen – Drums
Set list:
Set 1:
Young Person’s Guide to the Orchestra (song played from tape)
1. Machine Messiah
2. I’ve Seen All Good People
3. Going for the One
4. America (Simon & Garfunkel cover) (“Southern Solo” instrumental)
5. Time and a Word
6. Turn of the Century
7. Siberian Khatru
Set 2:
8. South Side of the Sky
9. Cut From the Stars
10. The Revealing Science of God (Dance of the Dawn) / The Remembering (High the Memory) / The Ancient (Giants Under the Sun) / Ritual (Nous sommes du soleil)
Encore:
11. Roundabout
12. Starship Trooper
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Aki is a published and award-winning concert photographer based in Tokyo, Japan. Her musical preferences are deeply rooted in the 70s. However, she also loves to see and capture new bands. You can find her work in magazines, newspapers, online and galleries.
