Ben Harper Releases Eagerly Awaited Album “Bloodline Maintenance” Today

 

 

 

BEN HARPER RELEASES EAGERLY AWAITED ALBUM TODAY BLOODLINE MAINTENANCE

NEW SINGLE “NEED TO KNOW BASIS” AVAILABLE NOW

AT ALL DSPS AND STREAMING SERVICES

 

EPIC LIVE SCHEDULE INCLUDES WORLDWIDE HEADLINE DATES, TOP-BILLED FESTIVAL PERFORMANCES, AND 15-NIGHT RUN SUPPORTING HARRY STYLES AT LOS ANGELES’ KIA FORUM

BLOODLINE MAINTENANCE ARRIVES VIA CHRYSALIS RECORDS

ON FRIDAY, JULY 22

 

3x GRAMMY® Award-winning singer-songwriter/musician/producer Ben Harper releases his much- anticipated new album BLOODLINE MAINTENANCE along with an official music video for the new single “Need To Know Basis” – which features exclusive behind-the-scenes footage shot earlier this month at the Lucca Summer Festival in Italy.

Produced by Harper and the esteemed Sheldon Gomberg, “Need To Know Basis” marks the latest single from Harper’s fiercely soulful new album, BLOODLINE MAINTENANCE, out today.  The album is available HERE.

“Need To Know Basis” showcases the distinctive sound of the Clavinet, performed by legendary keyboardist Larry Goldings (James Taylor, John Mayer, Steve Gadd). “It’s kind of the unsung hero of soul music,” Harper says. “It was made famous by the intro to Stevie Wonder’s ‘Superstition,” which was probably the first song my dad ever played for me.  I brought Larry in and we had an absolute blast. ‘Need To Know Basis’ is about how hard it is for some people to say I love you, and how people can be waiting to hear that from them.  The bass is accompanied by a low-end shadow guitar playing along, which was something I learned from Al Anderson from The Wailers.”

 

 

BLOODLINE MAINTENANCE was first heralded last month with the premiere of “We Need To Talk About It,” available now at all DSPs and streaming services. An official lyric video is streaming via YouTube HERE

Propelled by Harper’s blisteringly funky guitar, “We Need To Talk About It”  defiantly addresses the wounds of slavery through a sharp-edged call-and-response with gospel-fueled backing vocals and pounding rhythms augmented by the distinctive sound of the African talking drum. The track was met by immediate acclaim from such publications as Rolling Stone, which wrote, “‘We Need to Talk About It’ boasts a potent blend of gospel, funk, and blues, with Harper singing back-and-forth with a choir over a steady groove of rumbling percussion and wobbling guitar licks. Towards the end of the song, Harper’s clear-eyed lyrics – ‘How does a ghost forgive… How are we supposed to live/With 12 million taken/Not one single reparation’ – are punctuated with a fierce reply from the choir: ‘We need to talk about it.’”

 

WATCH “WE NEED TO TALK ABOUT IT” OFFICIAL LYRIC VIDEO

Harper – joined by his longtime band, The Innocent Criminals – will herald BLOODLINE MAINTENANCE with an epic world tour highlighted by North American and European headline dates, festival performances, US shows alongside Jack Johnson, and a 10-night run supporting his recent collaborator Harry Styles at Los Angeles, CA’s Kia Forum. Additional headline dates will be announced. For updates and ticket information, please visit www.benharper.com/tour

 

BEN HARPER & THE INNOCENT CRIMINALS

WORLD TOUR 2022

 

JULY

20 – Pratteln, Switzerland – Z7 Summer Nights Open Air 

22 – Barcelona, Spain – Festival Jardins Pedralbes

23 – Girona, Spain – Sons del Món

25 – Madrid, Spain – Noches del Botánico

28 – Carcassonne, France – Festival de Carcassonne

29 – Gignac, France – Le Festival Ecaussysteme à Gignac 

31 – Colmar, France – Foire aux Vins d’Alsace

AUGUST

2 – Palmanova, Italy – Piazza Grande

3 – San Mauro Pascoli, Italy – Acieloaperto Festival

4 – Rome, Italy – Cavea Auditorium Parco Della Musica

6 – Taormina, Italy – Teatro Antico di Taormina

9 – Riola Sardo, Italy – Parco dei Suoni

11 – Brescia, Italy – Festa di Radio Onda d’Urto

26 – Trois-Rivières, QC, Canada – Trois-Rivières En Blues

SEPTEMBER

16 – Victoria, BC – Rifflandia Festival *

18 – Saratoga, CA – Mountain Winery

20 – Eugene, OR – Cuthbert Amphitheater

21 – Bend, OR – Clear Summer Nights

22 – Troutdale, OR – McMenamins Edgefield

24 – George, WA – Gorge Amphitheatre ^

OCTOBER

6 – Ojai, CA – Libbey Bowl

7 – Chula Vista, CA – North Island Credit Union Amphitheatre ^

23 – Inglewood, CA – Kia Forum †

24 – Inglewood, CA – Kia Forum †

26 – Inglewood, CA – Kia Forum †

28 – Inglewood, CA – Kia Forum †

29 – Inglewood, CA – Kia Forum †

31 – Inglewood, CA – Kia Forum †

NOVEMBER

2 – Inglewood, CA – Kia Forum †

4 – Inglewood, CA – Kia Forum †

5 – Inglewood, CA – Kia Forum †

7 – Inglewood, CA – Kia Forum †

9 – Inglewood, CA – Kia Forum †

11 – Inglewood, CA – Kia Forum †

12 – Inglewood, CA – Kia Forum †

14 – Inglewood, CA – Kia Forum †

15 – Inglewood, CA – Kia Forum †

* Festival Performance

^ w/Jack Johnson

† w/Harry Styles

 

(Photo Credit: Michael Halsband)

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A work largely inspired by the loss of a longtime friend and the lingering influence of a mercurial and charismatic father, BLOODLINE MAINTENANCE sees Harper performing the majority of the instruments on his own, spanning guitar, bass, drums and an eclectic assortment of percussions including a plastic toy snare. His 17th studio LP – and first since 2020’s instrumental WINTER IS FOR LOVERS – and the first non-instrumental solo album of new songs since 2016. The new album is further fueled by Harper’s signature lap steel, supercharged through a powerful Dumble amplifier creating a truly unruly tone that Harper describes as “a sort of a merging of Robert Johnson and Jimi Hendrix.” 

“It was like I was moving forward and venturing into places I had never been before,” he says. “Taking everything I’ve learned from every other record and kind of setting fire to it all and starting over. And I knew the sounds I was hearing in my head were so unorthodox that I had to do most of it myself.”

Applying the inventiveness of hip-hop to longstanding paradigms of soul, blues and jazz, spinning it all forward into a reconfiguration of a new black Americana, BLOODLINE MAINTENANCE continues Harper’s long history as one of his generation’s most potent protest singers. Persecuted by local authorities for being a communist, his grandfather moved his family west where their music store, the Folk Music Center and Museum in Claremont, CA, proved a vital hub in a thriving Southern California folk scene. There Harper learned guitar as a child, playing his first official gig at the age of 12. By the time he was 21, he was touring with blues legend Taj Mahal. The years that followed have seen Harper amass international critical applause and a worldwide fan following, winning three GRAMMY® Awards (out of seven total nominations) for his own genre-traversing body of work while also producing acclaimed albums by Mavis Staples, Rickie Lee Jones, The Blind Boys of Alabama, Natalie Maines, Ziggy Marley, and others. An inveterate collaborator, Harper has also recorded with a diverse span of artists ranging from John Lee Hooker, Charlie Musselwhite, and Jack Johnson to Ringo Starr, Keith Richards and, most recently, Harry Styles, contributing his signature guitar work to the latter superstar’s chart-topping new album, HARRY’S HOUSE.

 
 
 
 
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