WORDS AND IMAGES PAUL EVANS
Emerging in the early 1980s explosion of British new wave and pop music Culture Club created a distinctive sound of reggae, soul and pop that would catapult them to global fame. Tracks like “Do You Really Want to Hurt Me”, “Karma Chameleon” and “Church of the Poison Mind” became anthems of the era and with Boy George centre stage, the bands legacy is one of innovation, inclusivity and challenging the norms of the time. Their concerts are known for their theatricality and heart and for an event of this magnitude, Manchester’s Co-Op Live arena serves as the perfect venue with its state-of-the-art acoustics and dazzling visual setups. The stage is set for an unforgettable night of music as people of all ages, from nostalgic fans who had danced to the band’s hits in the 80s to younger generations pack the venue floor.
In tune with the 80s theme first up is one of the defining voices of the era, Tony Hadley, a figure synonymous with the 1980s music scene. The statement class is permanent is perfect to describe the former lead singer of Spandau Ballet as his powerful voice immediately captivates the crowd. His impeccable vocal range and ability to connect with the audience is a joy to listen to. “To Cut a Long Story Short”, “Gold”, “Through the Barricades” and “True” have the crowd singing along to every word, The highlight a stunning, soulful rendition of “Only When You Leave” a song that still showcases his vocal dexterity and ability to infuse emotion into every note. Hadley’s performance is a masterclass in showmanship, his voice effortlessly soaring over the lush arrangements provided by the band. The audience is on their feet, clapping and cheering in appreciation by the time he closes his set and it’s been a fitting prelude to tonight’s headliner and a reminder of his enduring legacy.
From the moment Boy George, in a mix of avant-garde fashion and flamboyant tailoring, struts from a red telephone box in a nod to David Bowie’s Ziggy Stardust it’s clear the evening is going to be an unforgettable spectacle. “White Boy” is a bold and energetic start. George’s voice immediately commanding the room as the stage, a vibrant array of colours and typographic punk slogans reflects the band’s eclectic and vivacious spirit. “I’m Afraid of Me” and “You Know I’m Not Crazy”, emblematic of their early years, feel fresh yet nostalgic, showcasing how the band has evolved while retaining their unique identity. The interplay between George’s soulful delivery and the rhythmic precision of bassist Mikey Craig creating a seamless harmony, with guitarist Roy Hay’s intricate riffs adding layers of sophistication.
The crowd’s energy soars with “I’ll Tumble 4 Ya” bringing a wave of nostalgia, with the audience clapping and dancing along to its infectious rhythm. George’s vocal delivery both dynamic and heartfelt, proving that his talent remains as vibrant as ever. “Take Control,” offers a funk-laden interlude, showcasing the band’s versatility and ability to move effortlessly between genres and “White Boys Can’t Control It” is raw and powerful highlighting the band’s political edge. “Do You Really Want to Hurt Me” is poignant, George’s emotive delivery leaving a tangible hush over the crowd before a wave of applause erupts. The song’s haunting melody and introspective lyrics as impactful in 2024 as they were upon release.
The harmonica intro and infectious rhythm of the jubilant “Church of the Poison Mind” has the crowd singing along, the addition of a live brass section elevating the song to new heights. “It’s a Miracle” and “Mister Man” keep the energy soaring, the band’s tight instrumentation and George’s magnetic presence holding the audience in thrall. Ever the consummate showman, George banters with the audience throughout, his wit and warmth bridging the gap between the stage and the sea of fans.
“Black Money” is a deeply emotional highlight, with George’s voice carrying an almost tangible vulnerability with the poignant lyrics of “Victims” and “That’s the Way (I’m Only Trying to Help You)” adding to the evening’s emotional depth. “Victims” is haunting and sees George at his most vulnerable, pouring his soul into every note as he delivers a heart-wrenching performance that leaves few dry eyes in the arena. It’s a moment that underscores why Culture Club’s music and lyrics have remained timeless.
The encore begins with “Time (Clock of the Heart)”, its timeless melody filling the arena with a sense of communal nostalgia and a surprise cover of T-Rex’s “Get It On” brings a rock-and-roll edge to the night, with George clearly relishing the chance to pay homage to one of his influences. A euphoric rendition of “Karma Chameleon,” brings the evening to a close and turns the Arena into a giant singalong, creating a celebratory atmosphere that perfectly caps the night.
Culture Club’s performance has been nothing short of spectacular and once again they have shown why they remain one of the most beloved bands of their era. Boy George’s charisma, combined with the band’s tight musicianship, makes for an exhilarating experience and their influence on music and pop culture remains undeniable. With a setlist that has traversed their illustrious career, the band reaffirmed their iconic status tonight and as they continue to inspire artists across genres, Culture Club remain a testament to the enduring power of innovative artistry, unapologetic self-expression and damn fine music.
SETLIST
1/ White Boy
2/ I’m Afraid of Me
3/ You Know I’m Not Crazy
4/ Boy, Boy, (I’m the Boy)
5/ I’ll Tumble 4 Ya
6/ Take Control
7/ Kissing 2 Be Clever
8/ Love Twist
9/ White Boys Can’t Control It
10/ Do You Really Want to Hurt Me
11/ Church of the Poison Mind
12/ It’s a Miracle
13/ Mister Man
14/ Miss Me Blind
15/ Storm keeper
16/ Changing Every Day
17/ Black Money
18/ That’s the Way (I’m Only Trying to Help You)
19/ Victims
20/ Colour by Numbers
21/ Time (Clock of the Heart)
22/ Get It On
23/ Karma Chameleon
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I’ve loved music since forever. Graphic designer, photographer and artist at painted.papillon.smile (www.ppsdesign.co.uk)