HANK WILLIAMS JR.’S RICH WHITE HONKY BLUES
DEBUTS AT NO. 1 ACROSS COUNTRY, AMERICANA/FOLK
AND BLUES CHARTS
Album Produced by Dan Auerbach Reaches No. 2 on Rock and
Record Label Independent Charts
NASHVILLE, Tenn. – Hank Williams Jr. has been one of country music’s truest outlaws for over half a century, and with Rich White Honky Blues, the 72-year-old legend proves he is the bluesman, Thunderhead Hawkins, as his 12-song collection debuts at No. 1 on the Current Country, Americana/Folk and Blues Albums charts, along with reaching No. 2 on the Current Rock and Record Label Independent Current Albums charts.
“This is beyond my wildest dreams,” Williams shared upon receiving the news his debut blues album topped the charts across multiple genres. “What a great feeling.”
Rich White Honky Blues, available now via Easy Eye Sound, “gives more insight into the Country Music Hall of Famer’s early years and the influences that would eventually make him a singular artist,” shares AP, while Tennessean notes the album is “a throwback that required recalling the influence of his epic lifetime to record.”
GRAMMY-winning Producer of the Year Dan Auerbach recorded the set live over three days, with a dozen songs, reprising classics from Robert Johnson, Lightnin’ Hopkins, R.L. Burnside, Muddy Waters, Big Joe Turner, and a few from Bocephus himself.
With a wicked core of electric slide guitarist Kenny Brown (claimed as “my adopted son” by Burnside), bassist Eric Deaton (who first toured with Fat Possum’s Juke Joint Caravan, backing up T-Model Ford and Paul “Wine” Jones), plus drummer Kinney Kimbrough (son of North Mississippi blues legend Junior Kimbrough), Williams, Auerbach and the band tapped into the lifeblood of the blues.
“We understood each other pretty quick,” Williams shared with AP. “I got over there with Kenny and them and Dan, and it was just like pouring water out of a cup. It went pretty smooth, and we knocked it out in two and a half days.”
“If you wanted to play this kind of music, you couldn’t have better players,” Auerbach explains. “The first time I ever saw Hank Jr. on TV, I was a kid raised on Robert Johnson and Hank Williams, Sr. records, and those things came through so clearly watching him. So, I tried to assemble the right parts to just sit in that piece of who he is.”
From the vocal and gut-string bounce of opening track “.44 Special Blues” (Johnson’s “32-20 Blues”), caught on the fly and viscerally gutting the betrayal and consequence rejoinder to a cheating woman, Williams’ vocals are potent, earthy, brash and lascivious. With Burnside’s “Georgia Women” leaning heavily into Williams’ delta blues influences, featuring an explosive dose of slide guitar magic, along with the high-tempo blues burner “Fireman Ring The Bell,” plus the chicken-scratching burn of Big Joe Turner’s metaphoric “TV Mama,” the delectability is greasy, trenchant, built to slather on a too-hot Saturday night.
And those vintage nuggets set the stage for Williams’ own songs.
“It’s that rawness, and how real it is. I was always searching for the rawness, the darkest stuff,” shares Auerbach. “Once we were in it, as soon as we started playing, Hank was invested. That lifted everybody else up, to really push each other.”
A minor-key tempest with a touch of smoke – recalling The Allman Brothers Band’s debt to the blues, “I Like It When It’s Stormy” faces down the rugged breaks and bad women who show a man his mettle, while the vamping “My Name Is Bocephus” redux “Call Me Thunderhead” throttles poseurs and pretenders to not just his throne but Williams’ famed blues doppelganger Thunderhead Hawkins, slicing into the electric blues that’s as much molten Chicago as North Mississippi’s finest.
“You bring who you are,” Williams says, chuckling. “All that… all… of… that… is where my music comes from. When we got into the studio, the more we played, the deeper we got – and the deeper we got, the harder I wanted to go. Those songs just fit the moment.”
The syncopated title track with its blaring electric guitar and rubber bassline may be the most Bocephus of them all. Making the blues an equal opportunity proposition, not just the outpost for the destitute and downtrodden, “Rich White Honky Blues” twines good sex and being cut off as the howling leveler of men regardless of circumstances, as well as serving as a roll call of the artists who twisted him into the man he is today.
“It is what it is,” Williams adds, still laughing. “You know, that’s the thing. Blues is what it is – and whoever you are, there’s a dose with your name on it. You can let it knock you down, or you can stand up and play the guitar, witness to what happened and throw down hard to get rid of it.”
Rich White Honky Blues Track List
.44 Special Blues
My Starter Won’t Start
Take Out Some Insurance
Rich White Honky Blues
Short Haired Woman
Fireman Ring The Bell
Rock Me Baby
I Like It When It’s Stormy
Call Me Thunderhead
Jesus, Won’t You Come By Here
Photo Credit: Alysse Gafkjen
About Hank Williams Jr.
Hank Williams Jr.’s extremely impressive resume has spawned 70 million albums sold worldwide, six PLATINUM albums, 20 GOLD albums, 13 No. 1 albums and 10 No. 1 singles. Marking 58 years since his first album in 1964, Williams Jr.’s 57th studio album Rich White Honky Blues is available now via Easy Eye Sound, featuring 12 songs recorded over a three-day period by GRAMMY-winning producer Dan Auerbach. 2016’s It’s About Time (Nash Icon Records) included the history-making “Are You Ready for the Country,” as well as tunes “Dress Like an Icon,” “Just Call Me Hank,” “It’s About Time” and “The Party’s On” in addition to re-recorded versions of classics “Mental Revenge” and “Born to Boogie” with Brantley Gilbert, Justin Moore and Brad Paisley on guitar. Following It’s About Time, Williams Jr. has released several compilations, including All My Rowdy Friends Are Coming Over: Great Tailgating Songs, A Country Boy Can Survive (Box Set), Hank Jr. Sings Hank Sr. and 35 Biggest Hits. He continues to add accolades to an extremely impressive resume, which includes ACM Entertainer of the Year, CMA Entertainer of the Year and BMI Icon, in addition to a GRAMMY win and coveted inductions into the Nashville Songwriters Hall of Fame and Country Music Hall of Fame.
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