WORDS HARRY K
Waterlines’ forthcoming EP, WDGAF Vol. 1, stands as a milestone for the band, encapsulating their journey from fresh newcomers to a formidable force in the metalcore scene. Set for release on January 10, 2025, this compilation EP brings together all their previously released singles with two fresh tracks, creating a comprehensive showcase of the band’s signature sound—an energetic fusion of metalcore, EDM, and nu-metal influences.
The singles featured in WDGAF Vol. 1 serve as snapshots of the band’s evolving sound and their ability to deftly blend aggression with melody. The standout track “The Halo Around the Horns” opens with a punchy, groove-laden riff that swells into an explosive, EDM-infused chorus. The combination of crushing breakdowns and electronic flourishes makes it clear why fans of Electric Callboy and Northlane have flocked to the band. The track’s slick production allows the chaotic energy to breathe, with atmospheric synths and glitched-out electronic elements adding layers of tension before erupting into a high-octane climax. Slipknot verses with Linkin Park chorus is what springs to mine
“KÖNIG” brings a different vibe, leaning into nu-metal territory with its bouncy rhythms and rap-metal verses. The riff-driven energy echoes bands like early Wage War, combining guttural growls with a chorus that’s catchy yet menacing. Waterlines deftly uses EDM elements in the track, crafting a mid-section breakdown that feels like a rave and a mosh pit colliding—showcasing their ability to bridge the gap between two seemingly disparate genres.
“Prey” delivers one of the most aggressive performances on the EP, with a wall of sound that refuses to relent. It perfectly channels the more metallic side of their influences, invoking the intensity of bands like Architects or Polaris, while the bridge section descends into a gritty electronic break that would fit seamlessly into a dance festival. The balance between unrelenting heaviness and the pulsating, futuristic electronics is something Waterlines excels at.
One of the two new tracks on the EP, “Ghost in the Wire,” ups the ante further. A more experimental cut, it integrates EDM drops in a way that feels more integral to the song’s structure. The blend of harsh growls, clean vocals, and layered electronics demonstrates their growing maturity as songwriters. While the aggressive energy remains at the forefront, there’s a deliberate pacing here, allowing atmospheric moments to build tension before detonating into the colossal chorus.
One of the most impressive aspects of WDGAF Vol. 1 is the pristine production. The EP is masterfully engineered, with every element—from the roaring guitar tones to the glitchy EDM textures—seamlessly integrated. Waterlines have clearly taken care to ensure that their hybrid approach doesn’t feel disjointed; the electronic elements enhance the metalcore backbone rather than detracting from it. The influence of modern metalcore production trends is undeniable. There’s a precision to the sound, with pummeling breakdowns sounding crisp, and the balance between the band’s heavier instrumentation and the electronic undercurrents is finely tuned. Where bands like Electric Callboy veer heavily into humor and overtly upbeat EDM, Waterlines carve out a more serious and anthemic approach, allowing the electronic influences to elevate the intensity of their music rather than lightening the mood.
Lyrically, Waterlines explore themes of inner conflict, societal struggles, and existential reflection—touchstones of the metalcore genre. Tracks like “Prey” and “Anti Human” tap into themes of alienation and the dehumanizing aspects of modern life, while the new tracks appear to dig deeper into personal struggle and resilience. There’s an unmistakable cathartic energy to these songs; the combination of crushing riffs, pummeling beats, and uplifting choruses creates an experience that is both visceral and emotionally charged.
WDGAF Vol. 1 is more than just a collection of singles; it’s a statement of intent. Waterlines have taken the best elements of their influences—Electric Callboy’s infectious energy, Northlane’s progressive leanings, and Wage War’s heavy-hitting precision—and combined them into a sound that feels distinctly their own. By incorporating electronic music in a way that enhances their metalcore foundation, Waterlines are paving their own path in the scene. For fans of genre-bending metalcore and those who enjoy the adrenaline rush of EDM in the mix, this EP offers a thrilling ride. The new tracks show that Waterlines are not just resting on their laurels but pushing forward, refining their hybrid sound with a focus on both intensity and atmosphere.
As WDGAF Vol. 1 hits the airwaves in early 2025, Waterlines’ rise seems inevitable in the Numetal scene, and this EP will undoubtedly cement their status as one of the UK’s most promising metalcore acts. Expect them to become regulars on major festival stages, with their sound perfectly suited for the energy of a live setting.
8.5 / 10
Waterlines –
WDGAF Vol 1
1) Prey
2) Set The Pace
3) BRACE.
4) Konig
5) Anti Human
6) The Halo Around The Horns
7) BRACE. Live In Bolton
WATERLINES TOUR DATES
Waterlines + Rituals + Within Reach – April 2025
10th – Weston-Super-Mare – The Electric Banana
11th – London – 229
12th – Southampton – Suburbia
Waterlines + Rituals + Veiled – April 2025
17th – Nottingham – Billy Bootleggers
18th – Leeds – Hyde Park Book Club
19th – Manchester – Lions Den
For ticket information for all shows, please visit the Down For Life Music website.
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My life is a soundtrack, i track my life through music, photography is my passion, my escape, my expression. Without both i have pieces missing, thankfully i’m blessed and get to combine both.
Born in Manchester, lived in Australia for 22 years where i was heavily involved in the Australian Music Industry, firstly in bands (Singer) and then managing bands (all original), I moved back to the UK, Wales specifically 10 years ago
